MYTHICAL CREATURES WITH THE PALE ROOK AND ELISABETH VIGUIE CULSHAW

Oaxaca City, Oaxaca, Mexico

October 11-20, 2024

Mexican Folk Art is a tapestry of symbolism and meaning, reflecting the country’s rich history, diverse culture, and profound spirituality. Join The Pale Rook and Elisabeth Culshaw in Oaxaca to explore the symbols of animals and colors while creating your own mythical creature or doll. This will be the only animal workshop that will be offered by The Pale Rook.

Mexican Folk Art uses colors, symbols, and animals to weave a story of love, pain, birth and death in ancient Aztec and Mayan mythology. Colors are more than just pigments; they convey profound meaning for emotions, nature and spirituality. Red is passion, love and sacrifice. Blue represents spirituality and tranquility, while yellow is a symbol of positivity and joy. Green is nature and growth symbolizing the harmony and balance found in our relationship with the natural world. Purple symbolizes royalty and spirituality and orange, creativity and energy.

Johanna has developed the methods we'll be working with over the last seven years in her own practice and they've been honed especially for this workshop. You can adapted them to make whatever creature, combination of creatures, or mix of human and animal that you want to make. 

The dolls/creatures can also use a collaged combination of fabrics, layered with symbolic embroidery, using as many or as few of the participants' collection of dyed fabrics and yarns as they wish. This means you can have a narrative element to your work, telling stories through symbolic use of color, pattern and form.

Elisabeth is a well known eco printer and natural dye creator and educator in Glasgow, Scotland. She will work together with Roman Gutierrez Ruiz, an artist from the weaving village of Teotitlan del Valle, for our dyeing of fabric and paper for our creatures and a book.  

Itinerary

Day 1, Friday October 11

7:00 p.m. Meet and greet in the hotel with some libations and botanas.

Day 2, Saturday, October 12

We will meet in the studio to go over the week’s schedule, then it is off to spend the day in the weaving village of Teotitlan del Valle.

Elisabeth will lead you in dyeing cotton, silk and yarn using locally sourced plant dyes.  We will work with traditional dyeing methods that have stood the test of time as part of Mexican textile heritage for centuries and continue to be used by contemporary artists and designers today. Each piece of cloth and skein of yarn will be a unique reminder of your time in Oaxaca. We will work with a variety of natural dye plants, creating a rich palette of colors to work with in our sewing projects. We will also be dyeing papers for a small journal. 

Lunch and dinner will be provided.

Day 3 Sunday October 13
Johanna will guide you in making an original doll inspired by the colors, textures and mythical creatures of Southern Mexico.  You can create a "human" doll, an animal or mythical creature from your collection of naturally dyed fabrics and yarns, embellished with colorful embroidery in a Mexican style.  Every stitch will be created by hand, giving you time to connect with your doll in a mindful and relaxing way, reflecting the experience and emotion of your trip to Oaxaca.  All fabrics and yarns will be provided, and you are also welcome to bring your own collection of fabrics, materials and found objects to incorporate into your doll.

9:30 Have breakfast at the hotel before meeting in the studio. Lunch will be at the hotel and class will be over at 4:30. Free time until we meet at 6:30 for a special dinner with our friend Chef Pilar Cabrera of La Olla.

Day 4 Monday October 14

We will continue working on our creatures/dolls.

Breakfast at hotel

9:30 Meet in the studio break for lunch at 12:30. Class is over at 4:30. Free time until we meet for dinner.

Day 5 Tuesday October 15

Have an early breakfast and then we are off on a travel day stopping in San Bartolo Coyotepec to visit our favorite black pottery artisan family.

Then off to visit Jacobo and Maria Angeles in their San Martin Tilcajete studio/school. When we first met Jacobo and Maria, they had a small studio where they worked on their intricately patterned alebrijes that are in museus and private collections around the world. Today, Jacobo and Maria are also painting, creating pottery, and are supporters of their community, teaching children from the village how to continue the traditions of their village.

Lunch will be at the entrance of the village and dinner is on your own tonight.

Days Six-Eight October 16-18

Breakfast in the hotel and in the studio breaking for lunch before continuing on with our creations. During this time, Elisabeth will show us how to create a small journal using our dyed papers.

Class will be over around 4:30 and then you will have free time before dinner in the evenings.

Day 9 October 19

After breakfast, we will finish up our projects and have our Show “N Tell. After cleaning up, you have the afternoon free to shop and pack. Lunch is on your own today and this evening will be our farewell celebration at Nois Restaurant.

Day 10 October 20

Everyone leaves or stays on to further explore beautiful Oaxaca.

This Art Escape includes:

• 9 nights accommodations (double occupancy)

• Two travel days to three different artisan villages

• Six days of instruction with Johanna Flanagan and Elisabeth Culshaw

• Welcome reception and fiesta

• All meals except for one lunch and one dinner

• Visits to markets

• Cooking Class

• Free time to explore

• Farewell dinner

• Some supplies

• Private Facebook page

• New Art Tribe

The price for this workshop is $3,975 and limited to 12 people. A limited number of single rooms are available for an additional $600.

A $1,000 non refundable deposit is due upon registering. The final payment is due June 11, 2024.

Price does not include:

• airfare to/from Oaxaca

• alcoholic beverages

Travel insurance is highly recommended. See FAQs for recommendations.

Accommodations: Located in a colonial building just two blocks from the zocolo, Hotel Naura has free wifi, a restaurant, a pool, bar and rooftop terrace. It is located across from the Textile Museum. 

Airport: Xoxocotlan International Airport is an international airport located in Oaxaca City, in the state of Oaxaca, Mexico. The Airport has only one terminal that handles domestic and international air traffic. Code: OAX.

Materials provided

• Florist wire

• Wool fleece

• Felting needles

• A selection of sewing threads

• Tailors chalk

• A selection of embroidery threads

• Pattern drafting paper

• Unspun flax

• Pliers

• Wire cutters

• Felting sponge

Materials to bring

• Hand sewing needles ( mixed sizes)

• Fabric scissors

• A small pin cushion

• Pins

• A sketch book

• A pencil

• Coloured pencils ( or any other colour medium you'd like to work with when designing your project)

• A pencil sharpener

• A selection of fabrics and found objects/trimmings from your own collection (optional)

• A range of interesting paper - size A4 or 8 1/2” x 11 “ - art paper or hand-made

• Some trinkets or beads

• Ruler

• Apron

This itinerary may change due to weather, new opportunities or the whim of the group.

We are so thrilled that Johanna Flanagan of the Pale Rook is teaching another Bellissima Art Escape. She is a Scottish textile artist, doll maker and costume designer, trained in fashion, constructed textiles and historical costumes. Doll making was her first love, and she has been making dolls for as long as she can remember. In the last fourteen years, Johanna has taught in art schools, museums and colleges throughout the UK and Europe, as well as writing and tutoring correspondence courses for the last two years.

You can see her work on her Instagram and Facebook feeds.

French artist Elisabeth Viguie Culshaw is a well known eco printer and natural dye creator and educator in Glasgow, Scotland. She started a Natural Dye Garden in the Glasgown Botanic Garden in 2022 and is very active in community art, often traveling to Thailand, Myanmar, and other places known for dyeing when she is not teaching at her Lansdowne House. She is a strong believe in collaborative art and invites students from around the world to her studio and online courses. We were fortunate to meet Betty to share a day of dyeing in her home studio. We are thrilled to share Oaxaca with her.

You can find her classes on her blog and follow her journey on Instagram.

Join mixed media artist Bridgette Guerzon Mills in a mixed media exploration in allowing nature to be our guide in creating artwork in book form. We will explore our environment for natural materials to act as inspiration and jumping off points for design and concept, as well as elements with the pages of our handbound books and mixed media pieces. We will use art as the bridge to explore reconnecting to the earth as our hands dialogue with nature and create earthy works of art.

Bridgette will lead the class through a variety of mixed media techniques that draw upon elements found in her creative practice: encaustic, fabric, thread, photo transfers, collage and the addition of natural elements. We will use plaster, fabric and found natural materials to create book art pieces.

This mixed media exploration will act as a bridge to reconnect us to the stories of the earth around us

Itinerary

Day 1, August 8

Class starts at 9:30 Intro to encaustic — painting and mixed media techniques such as transfers, glazing, collage on 5x7 inch panels that will eventually be book covers for an accordion (paper) book

Prepping of plaster for pages—for either a hanging book or to be attached to branches that can be bound together

Selecting and prepping bark pieces to use for book covers

We will break for lunch and class will be over at 4:30

Day 2, August 9 

Class starts at 9:30. Discussion of using natural materials in artwork, create our own small nature art meditations, take natural elements apart and designing with them.

Fabric and wax demo and attaching natural and found materials to it, make pages out of fabric and attaching natural elements to them.

Plaster cloth and wax demos and discussion of binding plaster pages, make a collection of plaster pages with encaustic transfers and collage and natural elements attached to them.

We will break for lunch and class is over at 4:30.

Day 3 August 10

Class starts at 9:30. Bridgette will demo accordion construction with paper for covers made on day 1 (optional to make these covers into a book or leave as paintings)

Demo of using encaustic + paper

Demo of attaching smaller pieces to bound pages

Continue working on binding plaster pages and fabric pages

Lunch and dinner will be provided today.

Day 4 August 11

Class will start at 9:30. We will continue to work and finish up our books.  After lunch we will finish any last minute details, clean up and have our show “n tell. Class will be over at 3:30 p.m.

Only one spot left

This Art Escape includes

• Four days instruction from Bridgette

• A beautiful studio to create in

• 4 lunches, 1 dinner

• some supplies

• new tribe

The cost for this Escape is $900. A $500 nonrefundable deposit is due upon registering. The remaining $400 dollars is due May 14, 2024.

Port Orchard is the site for the workshop. The location is 9 miles north of Gig Harbor, WA which is listed as one of the most desirable cities in the US to visit (or live). It is located south of Seattle, across the Narrows Bridge on Hwy 16.

The Bremerton-Kitsap Airporter stops in Gig Harbor and in Port Orchard.

There are many Arbnbs and B&Bs in the area. A list of accommodations will be provided if requested

We will Provide

• Electric palettes for encaustic

• Drills with drill bits

• Wood glue

• Spray bottles

• Bookbinding needles

• Burnishing tool

• Paper towels

• Glue sticks

• Embroidery floss

• Collage materials

• Fabric scraps

• Single edge razor blades

• Bark for covers

• waxed paper
  

Student Supply List

• Awl

• Scissors

• Exacto Knife with extra blades

• 1 roll of plaster cloth 4”x180” (Dick Blick carries its own brand called Blick Plaster Cloth

• 1 yard white cotton muslin

• Favorite oil bar or oil paint for glazing techniques (Bridgette’s favorites for creating earthy glazes are burnt umber, burnt sienna, ochre

• Natural materials such as sticks, leaves, pine cones, seeds, etc. You may also forage in the woods adjacent to the studio

• Images to collage. Can be photographs that are printed on regular paper (non-photographic paper). They can be inkjet or laser prints, black and white photocopies (images should be smaller than 8x8 inches), or they can be drawings on a variety of papers

• Images to transfer: black and white photocopies (images should be smaller than 8x8 inches)

• Apron

• Heat gun - if you have one please bring it.

Bridgette Guerzon Mills is a mixed media artist whose work incorporates a variety of materials including photography, paint, encaustic, as well as fiber, textiles, and other reclaimed materials. Her artwork and journals have been published in magazines and books and her work has been collected in the United States and internationally. She currently resides in Towson, MD with her family.

As a mixed media artist, encaustic is a versatile medium that allows her to create depth in layers and serves as a means for further exploration in both form and meaning. She combines her photography with encaustics to create a bridge between two worlds, the real and the reconstructed. The canvas becomes a multilayered surface that speaks to both the visual and tactile senses.  

Her outdoor installations, often created using foraged or recycled materials, focus on environmental issues and seek to engage and educate the public about these concerns.

Kathie Vezzani, our host, is a mixed media artist who loves anything rusty. She rusts, paints and uses encaustic and cold wax in her practice. She also creates mixed media sculptures. In her spare time, she organizes workshops for other artists. She will be hosting this workshop in her new studio.

THE SPIRIT OF UNSTRUCTURED PLAY + EXPERIMENTATION WITH JULIE HAMILTON

June 8-10, 2024

Port Orchard, WA

Join Canadian Artist Julie Hamilton for a 3-day intensive workshop exploring creative applications of mixed media.

Together we will be creating large works on paper: exploring marks, layers and textures. Slowly we will distill these down to colors, images and patterns that inspire and excite us. Smaller studies that define your visual vocabulary and the process of finding your creative self.

Our end goal is to shift our creative lens away from what we habitually create and dive a little deeper into what we love, learning to trust our intuition in a fun and carefree way along the way. Throughout the process we will discuss colour mixing and palettes, design and composition.

For our final project we will gather together our smaller studies, learn the art of collage and bind it all together in our very own handmade creative journal. A gathering place to record all that inspires us and visually tells our story. I like to think of it as a wish list for your creative path.

This class is for new artists and intermediates alike who are looking to push their creativity and skills. 

Basic knowledge of acrylic paint is required.

In this class we will cover:

• Finding inspiration and learning how to document it.

• Different paint applications

• Layers and glazes

• Creative mark making tools and how to expand upon them

• Making your own collage papers and the art of piecing them together

• Bookbinding techniques

• The tools of a Daily Art practice

A PDF will be supplied for all techniques used in class.

BONUS: A mini course inviting you to gather your inspiration and learn the art of developing a mood board.

Itinerary

Each day we will meet in the studio at 9:30, break for lunch and then class will be over at 4:30. One exception is dinner on the 9th will be provided.

This Art Escape includes

• Three days instruction from Julie

• A beautiful studio to create in

• 3 lunches, 1 dinner

• Some supplies

• New tribe

The cost for this Escape is $800.

A $500 nonrefundable deposit is due upon registering. The remaining $300 dollars is due April 8, 2024.

Port Orchard is the site for the workshop. The location is 9 miles north of Gig Harbor, WA which is listed as one of the most desirable cities in the US to visit (or live). It is located south of Seattle, across the Narrows Bridge on Hwy 16.

The Bremerton-Kitsap Airporter stops in Gig Harbor and in Port Orchard.

There are many Arbnbs and B&Bs in the area.

We all love art supplies, but Julie’s wish is for you to get creative and use what you have on hand.

We will provide:

• Matt Medium

• Gesso

• Studio Rags

• Water containers

• Oil Pastels

• Foam brushes

• Julie will provide sketchbook paper and book binding supplies for the final project. All of your beautiful art will be used to fill it up!

BASIC SUPPLY LIST

• Mixed Media Paper - heavy weight paper 90lb 9x12 or larger

• Scissors - small size Honey Bee or Fiskars

• Exacto Knife

• Cutting mat

• Ruler

• Water Spray bottle

• Paint Palette - or 2 Trays +  Parchment paper

• Brushes -  A variety of different sizes and different shapes. Old brushes work well here too

• Catalyst Wedge

• Palette knives in different sizes. Old credit cards work well too.

• Acrylic Paint - Red, Blue, Yellow, Black, White. Student grade is fine, but please no craft paint.

  Fluid paint works best, but if you have heavy body paint then also feel free to use. We will learn how to extend paint with medium.

• Acrylic Ink - Red, Blue, Yellow, Black, White

• Pens and Markers

• Pencils/ Crayons

COLLAGE PAPERS

Ideas include:

• Tissue paper in white plus a few other colors if you have

• Scrapbook paper. Old envelopes, maps or stationery. Ledger or graph paper.

• Envelopes,sewing patterns, music sheets, wallpaper samples

MARK MAKING TOOLS

• Look around your house! Think...Old toothbrush and makeup brushes.

• Corks. Elastic bands. Ear swabs. Bamboo skewers, Twine, Old sticks

OPTIONAL

Please feel free to bring any other favorite materials and mediums! It's all about mixed media .

Julie is a mixed media artist who practices creative play and possibility. She likes to describe her creative process as being in a wonderful state of creative chaos due to an overactive imagination that is always questioning…What If?​She loves the endless possibility that creating art provides. There are so many mediums to explore and so much to learn. She is happiest with a paintbrush in one hand, scissors in the other.

Her art career has led her down many different paths from painter to surface pattern designer, illustrator of children's books and now teaching. It has been a wonderful journey that has connected her with so many other like minded creatives.

Kathie Vezzani, who is hosting the workshop, also is an artist who paints, rusts and waxes. She organizes trips for other artists and in a former life was a caterer. She has over three decades of experience organizing trips for foodies and artists.

CURIOUS COLLECTIONS HAND-PRINTED BOOKS WITH GILLIAN LEE SMITH

May 18-21, 2024 Port Orchard, WA

So excited to share that Gillian Lee Smith will be hopping the pond to join us for two workshops.

Paper lithography or ‘gum arabic’ printing is an accessible but effective printmaking process without needing a printing press or harsh chemicals.

Put paper lithography and the book form together, and we can create pages of beautifully unique and layered imagery using printed drawings and photographs, amongst other mixed media.

Starting with found and gathered items from nature and other imagery, we will be using the method of paper lithography and oil-based inks to create layered prints of our own drawings and photographs, text and patterns.

Using repetition, layers, shifts in scale, and finely drawn imagery, we will create pages akin to natural specimen books of Victorian times. This will be the foundation of our book pages which will then be added to and built up with mixed media.

Folding our pages into a couple of variations of book form and adding book covers and fastenings will finish our projects.

ITINERARY

Day One, May 18 — Class will start at 9:30 a.m. We will break for lunch around 12:30 and class will be over at 4:30 p.m.

Gillian will share her printed books and her inspiration. We will spend a little time gathering from nature. Gillian will then show how we can create detailed drawings that will then be photocopied and used for the printmaking process.

Day Two, May 19 — Class starts at 9:30 a.m., with a break for lunch and class over at 4:30 p.m.

Gillian will demonstrate the paper lithography process before we spend the rest of the day printing onto our paper sheets, which will become our book projects. You will use photocopies of your drawings to create the book pages, but we will also have other photocopies to incorporate into our work to create richly layered imagery.

Day Three, May 20 - Class starts at 9:30 with more printmaking!

Gillian will also demonstrate ways to work into your pages with mixed media to build up textures and layers. We will continue working on our pages, and make our book covers. Lunch and dinner will be provided today.

Day Four, May 21 — fastenings and any other details to complete our books.

This Art Escape includes

• Four days instruction from Gillian

• A beautiful studio to create in

• 4 lunches, 1 dinner

• Some supplies

• New tribe

The cost for this Escape is $1100. A $600 nonrefundable deposit is due upon registering. The remaining $500 dollars is due Feb. 17, 2024.

Port Orchard is the site for the workshop. The location is 9 miles north of Gig Harbor, WA which is listed as one of the most desirable cities in the US to visit (or live). It is located south of Seattle, across the Narrows Bridge on Hwy 16.

The Bremerton-Kitsap Airporter stops in Gig Harbor and in Port Orchard.

There are many Arbnbs and B&Bs in the area. A list of accommodations will be provided if requested

We will provide

• Spray bottles

• Oil-based ink

• Gum arabic

• Linseed oil

• Deli paper

• Paper

• Book Board

• Cutting mats and rulers

• Glue

• Glossy magazines (if any student has a couple they can bring please do as we will need a pile of them)

• Copy paper

• Chip brushes for glue

• Cloth rags

Student Supply List

• Camera or phone camera

• Micron pens in black

• A sheet of blotting paper - at least 12 inches

• A printing roller - 4 inches wide or so

• A palette knife and/or plastic card

• A wooden spoon or barren

• Letter-sized plastic sheet or file

• Knife (like an Exacto or Stanley knife)

• A couple of paint brushes - Gillian’s suggestion is a 1-inch brush and a couple of others in various sizes

• White or buff titanium acrylic paint

• Acrylic ink for glazing - e.g. burnt umber - Gillian likes Liquitex transparent inks

• Handmade paper to cover your book covers with

• Some ribbon to go with your handmade paper and a few buttons

• Sewing needle and some waxed thread

• Dip pen

• Pencil

• Embossing tool

  Optional extras

• A couple of pieces of lace - preferably one with a defined pattern

• Letter or number stamps or stencils

Gillian Lee Smith is a Scottish artist living in the beautiful, historic North-East coast of England that daily influences her work. As a teacher, Gillian is inspired to bring her love of people and place to each workshop using a wealth of techniques to make new discoveries along with her students. She has several very successful online courses and a mentoring program.

Kathie Vezzani, who is hosting the workshop, also is an artist who paints, rusts and waxes. She organizes trips for other artists and in a former life was a caterer. She has over three decades of experience organizing trips for foodies and artists.

WOODLAND WANDERINGS WITH GILLIAN LEE SMITH

May 11-15, 2024 Port Orchard

So excited to share that Gillian Lee Smith will be hopping the pond to join us for two workshops.

Whether wandering in a small woodland or a vast forest, there is something about trees, the air and the softness of the ground that changes how we breathe, move and feel. We can reflect the beautiful, earthy, mysterious atmosphere of the woodland and undergrowth. We are invited to feel as rooted and grounded as the trees are. It is a chance to pause, observe, and connect with nature and ourselves and perhaps even folklore or those who have gone before us. 

Between 2020 and 2023, Gillian created a body of work called Beneath Shadowed Woods, and it all began with walks and pencil sketches in local woodland during lockdown, then hours of painting into accordion sketchbooks at her dining table with mixed media. With relatively simple materials, pages and pages of layered and evocative imagery unfolded, all inspired by those woodland walks. Gillian would love to share this process with you in this workshop, showing her techniques for building up expressive, layered and textured pages full of atmosphere and the magical feeling of a forest. 

We will visit a local forest to walk, draw and photograph before spending three days in the studio immersed in painting. We will work in accordion sketchbooks, creating beautiful imagery on each page. The book's magic is that it also allows for an expanded, continuous image that can be folded out to reflect our wandering walks through the forest. 

Itinerary

Day One - May 11. We will meet in the studio at 9:30 a.m. Gillian will go over the schedule for our workshop. Then off we go to visit a local forest to walk and sketch. Breathing in the atmosphere of the forest, grounding ourselves in nature and gathering visual imagery in the form of pencil drawings and photos to inspire or workshop days. Gillian will demonstrate how she draws from nature with a simple pencil and sketchbook. Lunch will be provided. Class will be over at 4:30 p.m.

Day Two - May 12. Class starts at 9:30, breaking for lunch (provided) and concluding at 4:30 p.m.

Gillian will share her accordion sketchbooks and other inspirations, as well as photos from her local woodland. We will begin laying the foundations of our book pages, building up textures and gestures to give the feeling of the shapes and visual movement of the forest. 

Day Three - May 13.Class starts at 9:30, breaking for lunch (provided) and concluding at 4:30 p.m.

Gillian will share her method of building layers, mark-making, opacity, transparency, visual texture and movement with a rich but limited color palette to capture the feeling of the forest. 

Day Four - May 14. Class starts at 9:30 a.m. We will continue adding layers to our pages. Lunch and Dinner will be provided.

Day Five - May 15. We will meet at 9:30 a.m. in the studio for our last day together. We will add final details and touches that will finish our pages off beautifully. After lunch, we will finish any last minute details before cleaning up and sharing our work in a Show ‘N Tell. Class will be over at 4:30 p.m.

This Art Escape includes

• Five days instruction from Gillian

• A beautiful studio to create in

• 5 lunches, 1 dinner

• Some supplies

• New tribe

The cost for this Escape is $1300. A $700 nonrefundable deposit is due upon registering. The remaining $600 dollars is due Feb. 17, 2024.

Port Orchard is the site for the workshop. The location is 9 miles north of Gig Harbor, WA which is listed as one of the most desirable cities in the US to visit (or live). It is located south of Seattle, across the Narrows Bridge on Hwy 16.

The Bremerton-Kitsap Airporter stops in Gig Harbor and in Port Orchard.

There are many Arbnbs and B&Bs in the area.

We Will Provide

• A4 Accordion sketchbook 

• Gesso

• Water containers

• Paper towels

• India Ink

• Some inks

• Paint rags

Student Supply List

• Cameral or phone camera

• Sketchbook - Gillian likes Moleskine 5.8 x 5.5 inches

• A couple of pencils - Gillian likes Blackwing 

• Acrylic ink in burnt umber and any other colours you like - Gillian likes Liquitex transparent inks (Prussian blue, transparent red oxide)

• Acrylic paint - White, yellow, blue, and red in acrylic paint. Recommendations - buff titanium or titanium white, quinacridone nickel azo gold or nickel azo yellow, cerulean blue or phthalo blue, red oxide or burnt sienna.

• Liquitex gloss medium

• A range of paint brushes - a 1-inch brush, a few sized 4 to 8, a rigger (very fine long) brush, one other small fine brush such as a size 0 or 1

• A couple of palette knives and an old credit-type card

• A dip pen

• A small spray bottle

Optional extras 

• Some metallic ink or acrylic paint - Gillian likes bronze

• A dagger brush (with a diagonal edge)

Gillian Lee Smith is a Scottish artist living in the beautiful, historic North-East coast of England that daily influences her work. As a teacher, Gillian is inspired to bring her love of people and place to each workshop using a wealth of techniques to make new discoveries along with her students. She has several very successful online courses and a mentoring program.

Kathie Vezzani, who is hosting the workshop, also is an artist who paints, rusts and waxes. She organizes trips for other artists and in a former life was a caterer. She has over three decades of experience organizing trips for foodies and artists.