Filtering by: Mixed Media
IRISH ANTHOLOGY - CREATING A COLLECTION OF ARTISTS BOOKS WITH GILLIAN LEE SMITH
May
31
to Jun 8

IRISH ANTHOLOGY - CREATING A COLLECTION OF ARTISTS BOOKS WITH GILLIAN LEE SMITH

IRISH ANTHOLOGY - CREATING A COLLECTION OF ARTISTS BOOKS WITH GILLIAN LEE SMITH

Belfast, Ireland - May 31-June 8, 2025

UK Artist Gillian Lee Smith has always loved books and, in recent years, has found making artists books to be a lovely companion to her main practice of painting. Join Gillian in Belfast, Ireland for an Irish Anthology.

As a child, Gillian was gifted a box housing the tiniest books you can imagine. A set of fairy stories, all housed perfectly in a small, purpose-made container. These memories led her to imagine a set of artist-made books housed within a house – books that allowed the capturing of memories from a particular place in a particular time.

The humble book form is so familiar to us. Yet books can be art, sculpture, a container for recording what we see and experience and all we can imagine. A wonderful way to remember a journey to a land such as Ireland.

We will sketch the places we visit—the landscape, castles, and buildings of Belfast—to capture inspiration for both the container and the various book forms.

Itinerary

Day One – Saturday, May 31. Everyone arrives at the hotel and we will meet for dinner this evening at the Wolff Grill.

Day Two - Sunday, June 1. Have breakfast and then meet in the studio at 9:30. Gillian will share her handmade artist books and sketchbooks in the morning and talk about her landscape sketching practice before we visit Belfast Castle to sketch in the afternoon. Throughout the workshop, you also can sketch from the buildings in Belfast City.

Belfast Castle sits at the foot of Cave Hill and is one of the most iconic locations from which to view the stunning skyline of Belfast
— Belfast Castle

The estate contains landscape gardens, mature mixed woodland and a forest trail. It is home to many different wildlife species, including long-eared owls, sparrow hawks and the town hall clock. We will have lunch at the castle in the Tavern Coffee Shop before returning to the studio. Dinner will be at the Mourne Seafood Bar.

Day Three - Monday, June 2. Meet in the studio at 9:30. We will discuss ideas for making the book box, the container that will house our collection of hand-made books.

Gillian will have a couple of options for a pattern you can use, but you are free to adapt them or create something unique from scratch. You will make the book box and internal and external papers so that you are ready to create your books. Lunch will be at the hotel. Dinner will be at Home.

Day Four - Tuesday, June 3. Meet in the studio at 9:30. Today is a day for playing with watercolors, color, granulation, and layering. We will create a series of pieces to inspire our books, which could also be folded and divided into our book pages. Lunch will be at the hotel and dinner will be provided at White’s Tavern or Beer Hall, the oldest bar in Belfast.

Day Five – Wednesday, June 4. Today, Gillian will share some ideas for book forms using the pages you created and time to make more using imagery, text and anything else you can think of. Lunch and dinner will be at the hotel.

Day Six – Thursday, June 5. Have breakfast and then it is a day out to explore the Ulster Museum that explores the past, the present and the future through collections of art, natural science and history. It champions diverse voices and new perspectives to promote positive change in society.

We will have lunch nearby and you will have the afternoon to explore the Botanic Gardens.

We will meet for dinner at Deane’s at Queen.

Day Seven – Friday, June 6. Today, Gillian will show options for making covers for our books as well as other finishing details such as enclosures and detail work. After our Show N Tell we will visit the St. George’s Market where we will have lunch and then you can continue to explore the market. Dinner is on your own.

Day Eight - Saturday, June 7. Today we will visit the Titanic Experience in Belfast which is next door to our hotel. Lunch is on your own and you will have free time this afternoon until our final dinner together this evening at Edo.

Day Nine - Sunday June 8. You may leave anytime on this day or continue on to Gillian’s second workshop in Inverness.


This Art Escape Includes

  • Five days instruction from Gillian

  • Eight nights accommodation at the Titanic Hotel based on double occupancy

  • All meals except for one lunch and one dinner

  • Visit to Belfast Castle, The Ulster and Titanic Museums

  • Some supplies

  • New Art Tribe

The cost for this Escape is $4,100, based on double occupancy. A single room supplement charge is $800. A $1,000 deposit is due upon registering. The remaining balance is due February 8, 2025.

Travel insurance is required.

Where we will be staying: Located at the heart of Belfast's Titanic Quarter, the legendary Harland & Wolff Headquarters and Drawing Offices is now the world's most authentic Titanic Hotel, offering an unforgettable experience for anyone visiting Northern Ireland.

Explore the Building

Artworks & Artefacts

Half-hotel, half-museum, the building is home to an original collection of over 500 artworks, artefacts and photographs transporting the viewer back to the 'Golden Age of Ocean Travel.’

Titanic Hotel

Queen’s Road, Titanic Quarter

Belfast, BT3 9DT

Northern Ireland

+44 28 9508 2000

Materials List

We will provide:

  • Waxed bookbinding thread

  • Curved needles and sewing needles

  • Dip pens

  • Deli paper

Students Please Bring

  • Camera or phone camera

  • A pad of watercolour paper

  • Three or four sheets of 2mm thick greyboard/book board

  • A few sheets of copy paper

  • A couple of sheets of drawing paper

  • A few sheets of handmade paper

  • A sketchbook

  • Drawing pencils, sharpener, eraser

  • Paper scissors, sewing scissors

  • A small portable palette of watercolors with a mixing palette

  • A water container

  • A selection of watercolour brushes

  • A small spray bottle

  • A cutting mat (roughly 8 x 10 inches or 10 x 12 inches)

  • Book glue or PVA

  • A small ½ inch Glue brush

  • Letter-sized plastic sheet or file (to glue paper on for easy clean up)

  • An Exacto knife and a scalpel knife with spare blades

  • A metal edge ruler

  • Ribbon for books, buttons for closures,

  • Acrylic ink for outside of the container - Gillian likes Liquitex transparent inks

Optional Extras

● Embossing tool

● Hand-dyed or vintage fabric scraps

● Embroidery threads

● White pen

● Color pencils – Gillian likes Derwent Drawing Pencils (natural colors which go well over watercolors)


This itinerary may change due to weather, new opportunities or the whim of the group.


Gillian Lee Smith is a Scottish artist living in the beautiful, historic North-East coast of England that daily influences her work. As a teacher, Gillian is inspired to bring her love of people and place to each workshop using a wealth of techniques to make new discoveries along with her students. She has several very successful online courses and a mentoring program.



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EVOCATIVE LANDSCAPES - OIL AND COLD WAX PAINTING IN SCOTLAND WITH GILLIAN LEE SMITH
Jun
8
to Jun 15

EVOCATIVE LANDSCAPES - OIL AND COLD WAX PAINTING IN SCOTLAND WITH GILLIAN LEE SMITH

EVOCATIVE LANDSCAPES - OIL AND COLD WAX PAINTING IN SCOTLAND WITH GILLIAN LEE SMITH

Inverness, Scotland

June 8-15, 2025


Join UK artist Gillian Lee Smith in Inverness, Scotland for an Evocative Landscapes workshop using oil and cold wax.

The atmosphere of place is always at the heart of Gillian’s landscape paintings – she seeks to go beyond pure representation or replication but to evoke somehow a sense of place, memory, and emotion. Through multiple layers of color, texture and value where almost as much paint is removed as is laid down, it’s a process that can render the most beautiful and unexpected results.

Breathe of Winter

Immersing ourselves in the landscape on our trips out, we will sketch the places we visit—the landscape, castles, and surrounding areas of Inverness – an evocative, soul-enriching place that will inspire the colors and atmosphere of our paintings.

Itinerary

Day One, Sunday June 8 – Everyone arrives and we will meet for our first group dinner at Hou Hou Mei.

Day Two, Monday June 9 - Have breakfast before meeting in the Millburn Room where Gillian will show examples of her oil and cold wax medium landscapes and castle paintings sharing how plein air and sketchbook watercolor sketches have been inspiring her recent explorations in oil and cold wax painting.

We will play with our small palette of watercolors before venturing out on our first sketching trip on Monday afternoon. We will board the Temptation Tour that takes us by bus to the legendary Loch Ness. Here we will cruise the Loch stopping at the Urquhart Castle where you will sketch for an hour before returning to Inverness. Lunch and Dinner (Jimmy Badgers) will be provided.

Day Three, Tuesday June 10 - Have breakfast before meeting in the Millburn Room at 9:30 a.m. Here we will play with mark-making, layering, and scraping back to build layers in our paintings. We will stop for lunch before we explore color mixing and continue building layers on several paintings simultaneously. Dinner will be at 27 Castle Street.

Day Four, Wednesday June 11 – Today is another day trip to absorb the beautiful landscape, collect sketches and inspiration, make color notes and additional drawing and writing to bring back to the studio to help us further develop our paintings. Have breakfast at the hotel then we will meet for an excursion to Dunrobin Castle, a 1-hour bus ride north of Inverness. Lunch will be at the castle. Dinner will be at The Mustard Seed.

Day Five, Thursday June 12 —Have breakfast before we meet in the Millburn Room at 9:30 a.m. We will continue to add layers to our paintings, building up textures, scraping back, and experimenting with solvent reductions. We will focus on beginning to further develop our paintings through shape, value, color, texture, and atmosphere. Lunch. Dinner will be at the River House.

Day Six, Friday June 13 —Have your breakfast before meeting in the Millburn Room for our final day of painting. We will refine our collection of small paintings to create compositions that speak of our experience of being in this wonderful landscape. Lunch will be provided. Dinner is on your own this evening.

Day Seven —- Saturday June 14 – A final day to explore the local area together. What better way to understand the Scottish Highlands then to visit the Culloden battlefield and museum. Located only 5 miles from Inverness, we will spend the morning here with lunch in the cafe. After returning to Inverness, you will have the afternoon free before we meet for our final dinner together this evening at Cafe 1.

Day 8 - Sunday June 15 — Everyone leaves or stays on to enjoy further exploring Scotland.

This Art Escape Includes

  • Five days instruction from Gillian

  • Seven nights accommodation at the Leonardo Hotel based on double occupancy

  • All meals except for one dinner

  • Visit to Loch Ness, Urquhart Castle, Dunrobin Castle and Gardens, Culloden Battlefield and Museum

  • Some supplies

  • New Art Tribe

The cost for this Escape is $4200, based on double occupancy. A single room supplement charge is $600. A $1,000 deposit is due upon registering. The remaining payment is due February 8, 2025.

Travel insurance is required.

Where we will be staying:

Leonardo Hotel Inverness

Millburn Road, IV2 3TR Inverness, +44 87 04100800

They have a spa and an indoor heated pool!

We will Provide

  • Paper Towels

  • Tissue Paper

  • Glassine Paper

  • Sheets of Palette Paper

Supply List

  • Camera or phone camera

  • A sketchbook

  • Drawing pencils, sharpener, eraser

  • A small portable palette of 4 – 6 watercolors with a mixing palette (Gillian will list some recommendations for colors)

  • A portable water container

  • Two or three watercolor brushes

  • A small spray bottle

  • Easy peel masking tape (blue or green tape)

  • A pad of Arches Oil (Huile paper) – 16 x 20 inches

  • A tin of Gamblin cold wax medium

  • A small bottle of Gamblin solvent

  • A small selection of oil paints (Gillian will share color recommendations)

  • A small glass jar

  • A pipette dropper

  • A couple of palette knives

  • A soft brayer

  • One or two small silicone squeegees (like bowl scrapers) (4 to 6 inches in size)

  • A one-inch bristle brush

  • A couple of other brushes (Gillian will recommend sizes)

  • Embossing tool

  • Optional Extras

    ● One or two oil bars

    ● Small gessoed boards – 8 x 10 inches max


This itinerary may change due to weather, new opportunities or the whim of the group.






Gillian Lee Smith is a Scottish artist living in the beautiful, historic North-East coast of England that daily influences her work. As a teacher, Gillian is inspired to bring her love of people and place to each workshop using a wealth of techniques to make new discoveries along with her students. She has several very successful online courses and a mentoring program.

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OUT OF CONTEXT - OBJECTS REDEFINED WITH GARY AND MARY ANN CARLSON
Jul
10
to Jul 13

OUT OF CONTEXT - OBJECTS REDEFINED WITH GARY AND MARY ANN CARLSON

OUT OF CONTEXT - OBJECTS REDEFINED WITH GARY AND MARY ANN CARLSON

July 10-13, 2025

Port Orchard, WA

Four days of creating mixed media sculptures with Gary and Mary Ann Carlson was such a special time that we have asked them to return. If you are a mixed media artist, this needs to be on your bucket list. Gary and Mary Ann share their experiences and solutions to every type of attachment challenge and Mary Ann is a master of balancing your piece to hang. And then there is the magic sauce……you will need to join us to discover what this is. It’s life changing for a mixed media artist.

Arms of Illusion by Gary R. Carlson

Using found objects, students will learn how to create and construct a non-objective or highly abstracted relief sculpture to hang on the wall.

Nature vs Nurture by Mary Ann Carlson

Southern Breeze by Gary R. Carlson

You will learn:

  • Compositional methods and critique skills to unify your composition

  • The appropriate products and methods of attaching a wide variety of materials

  • Material techniques using Apoxie Sculpt, Sculpt Noveau Metal Coatings paint and patinas

  • Appropriate tools for specific materials, rivets, saw, cutof saws, grinders, etc.

  • Appropriate display hardware for asymmetric physical weight balance of artwork

From the chaos of an overabundance of materials, our artists swapped supplies, helped each other and created amazing pieces.

Itinerary

We will meet each day at 9:30 am, stopping for lunch provided by our host, Kathie Vezzani, and ending the day around 4:30 pm. Dinner will be provided one evening.

On the last day, we will work until we break for lunch, then we will finish any last minute details before cleaning up and sharing our work in a Show ‘N tell.

We Will Provide

  • 12” edge glued wood round

  • 16”x 16” x 1/4” plywood

  • Primer paint, water-based

  • Metal Coatings brass and iron paint

  • Metal coatings patinas, tiffany green and tan

  • Clear acrylic Matt spray

  • Jig saw (metal and wood blades), small pull saw, coping saw

  • Drill and bits

  • Hammers

  • Safety goggles

  • Metal shears

  • Metal files

  • Wood rasps

  • Brad nailer

  • Escutcheon pins

  • Nail set

  • Center punch

  • Wood scraps

  • Wire and wire cutters

  • Metal cutoff saw

  • Clamps

  • Nails and screws

  • Bits of wood and tin that you may want to use

  • Acrylic paint

  • Liquitex Matte Gel Medium

  • Sponge brushes

  • Paint brushes

  • Wood glue

  • Plastic gloves

  • Sandpaper, emery paper, steel wool various textures

  • Rivet gun and aluminum rivets

This workshop is full. Join the waitlist.

This Art Escape includes

  • Four days instruction by Gary and Mary Ann Carlson

  • Four lunches, one dinner

  • Lots of materials

The cost of this workshop is $900. A non-refundable $500 deposit is due upon registering. The remaining $400 is due April 11, 2025.

Port Orchard is the site for the workshop. The location is 9 miles north of Gig Harbor, WA which is listed as one of the most desirable cities in the US to visit (or live). It is located south of Seattle, across the Narrows Bridge on Hwy 16.

The Bremerton-Kitsap Airporter stops in Gig Harbor and in Port Orchard.

There are many Arbnbs and B&Bs in the area. A list of accommodations will be provided if requested.

Student Supply List

  • Apron

  • Pencils, sharpies

  • Scissors,

  • E-6000 glue,

  • JB weld kwik glue

  • Bring ideas and found object materials that have similar elements such as color, shape, line for your wall sculpture.

These are just ideas. You do not need to collect all of this:

  • vintage wood typesetter’s letters or typewriter keys or metal letter stencils

  • wood blocks, letters

  • vintage clock insides, watch parts

  • various sized wood balls, pool balls, beads, ¼”- 1½”

  • croquet balls, mallets or sticks

  • small decorative brass horns

  • vintage embroidery hoops or circles, old tin lids

  • vintage wood hangers or any wood or metal arc

  • interesting sticks or wood shapes - objects

  • small hollow, plastic bird forms

  • small rusted metal sheet material that has some color left,

  • small metal lamp parts, metal leaves, brass or chrome metal bits

  • old rulers, wood metal or cloth

  • old paintbrushes,

  • small vintage tools

  • small antlers or horns

  • copper or aluminum tape

Beneath a Sky of Grievance

Bellissima Art Studio

A Bird in Hand by Gary Carlson

Toots and the Gang by Mary Ann Carlson


Mary Ann and Gary Carlson. Pic by Chris Adams

Minnesota artist Gary Carlson is a sculptor and retired art teacher. He has worked as an art educator, a graphic artist, a portrait photographer, and painter. Since retiring from teaching, his worked has been primarily creating found object assemblage sculptures.

Throughout his career, he has exhibited in galleries, art centers, art competitions and art fairs in and around the Minneapolis and St. Paul area, as well as the Midwest. Gary’s work is in the collection of the East Central Regional Arts Council and he has received numerous awards.

MaryAnn Carlson also is a former art educator. She has worked as a jeweler, a picture framer, a gallery director, an art administrator, a small business owner, a graphic artist, a digital photo editor, a painter and a sculptor. She has exhibited in galleries, art centers, art competitions in and around the Minneapolis and St. Paul area. Her work is in the collection of The East Central Regional Arts Council and she has received numerous awards for her unique sculptures. She is a master at hanging artwork!

Gary and Mary Ann Carlson, Kathie (black eye and all) and Builder Bob

Kathie Vezzani, who is hosting the workshop, also is an artist who paints, rusts and waxes. She organizes trips for other artists and in a former life was a caterer. She has over three decades of experience organizing trips for foodies and artists. She is ably assisted by her husband, affectionately known as Builder Bob whose contribution to the assemblage workshops is invaluable.

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THE POWER OF 12 WITH MICHAEL SCHEMCHUK - OAXACA, MEXICO
Oct
3
to Oct 11

THE POWER OF 12 WITH MICHAEL SCHEMCHUK - OAXACA, MEXICO

  • Oaxaca City, Oaxaca Mexico (map)
  • Google Calendar ICS

THE POWER OF 12 WITH MICHAEL SHEMCHUK

October 3-11, 2025

Oaxaca City, Oaxaca, Mexico

Join Michael Shemchuk aka Shem in the UNESCO city of Oaxaca, the state capital of Oaxaca, Mexico for a dynamic workshop that will allow you to produce a cohesive body of work.

The Power of 12 workshop is designed for artists who desire to create a body of work. With a focus on quality and quantity, we work on 12 (yes 12!) 12”x12” panels.

In this class we take our creative energy onto the production line. This fast paced class is an exercise in design, composition and decision making at a high production level. The grouping of 12 panels presents a pivotal opportunity to format and orient your work in numerous ways. You decide which orientation format and visual dialog you want between your panels — Rows (6 over 6), Stacked (3 over 4), Vertical, Diptychs, Triptychs or all 12 panels in a linear installation. It’s your preference.

Shem demonstrating in the Bellissima Art Studio

AbD (Abstraction by Design)

The Abstraction by Design method is the process of exploring collage and painting techniques by multi-layering the mediums of paper and paint on panels.

The layering of paper and paint enables us to sand, scrape, wet, peel, paint, collage and repeat to create controlled and incidental textured surfaces. We use acrylic polyurethane as a glue to attach papers, as a resist coat, and as a top coat as well.

Collaging involves color selection, paper choices, placement, gluing, mark making, composition and surface extraction. Painting involves panel prep, trowel application, brushing, sanding, surface manipulations, paint mixing and texturing.

Julie Hamilton and Shem

A.R.R. (Action, Review, Reaction)

We begin the AbD process with an action by applying paint or collage to our panels. Pause and review the action, then repeat another action.

This requires taking time to observe your work, measure your response to both the controlled (deliberate) and spontaneous (incidents/happy accidents). We follow the A.R.R. principles as we create your work.

Kathie Vezzani and Shem

ITINERARY

Day 1, Friday, October 3. Everyone arrives and we will meet at 6:30 outside of the studio for a welcome drink and some botanas.

Day 2, Saturday, October 4. Have breakfast and then meet in the studio at 9:30 a.m. to start creating with Shem. We will stop for lunch at 12:30, then afterward, we will take you on a quick walking tour to help orient you to this wonderful city. We will return to the studio and continuing working until 5:00 p.m. At 7:00 p.m. we will walk to our friend Chef Pilar Cabrera’s La Olla restaurant for our special dinner on the rooftop.

Day 3, Sunday, October 5. Breakfast and then into the studio at 9:30 a.m. We will break for lunch and then continue creating. You will have some free time at 4:30 before we meet for dinner this evening.

Day 4, Monday, October 6. TRAVEL DAY Have breakfast and then meet in the lobby at 8:30 a.m. We will travel to the Blind Potter’s studio in San Antonio for a private lesson with members of his family. We will stop for lunch before our back strap weaving demonstration with the lovely Gomez family. Afterward, we will visit Jacobo and Maria Angeles’ expansive studio in Tilcajete to learn about the alebrijes, those colorfully painted animals found in this village. Dinner will be on your own this evening.

Blind Potter’s Studio below

Senora Gomez demonstrating backstrap weaving

The amazing work of Jacobo and Maria’s studio - from carving, painting and some of the finished work.

This Art Escape includes:

  • 8 nights accommodations (double occupancy)

  • Visits to different artisan villages -alebrijes, backstrap weaving, pottery

  • Instructions/guidance from Shem

  • Welcome reception and fiesta

  • All meals except for two dinners

  • Visits to markets

  • 2 Cooking Classes

  • Free time to explore

  • Farewell dinner

  • Some supplies

  • Private Facebook page

  • New Art Tribe

The price for this workshop is $4,100 and limited to 12 people. A limited number of single rooms are available for an additional $600.

A $1,000 non refundable deposit is due upon registering. The final payment is due June 11, 2025.

Price does not include:

  • airfare to/from Oaxaca

  • alcoholic beverages

Travel insurance is required. See FAQs for recommendations.

Accommodations: Located in a colonial building just two blocks from the zocolo, Hotel Naura has free wifi, a restaurant, a pool, bar and rooftop terrace. It is located across from the Textile Museum. 

Hotel Naura

Airport: Xoxocotlan International Airport is an international airport located in Oaxaca City, in the state of Oaxaca, Mexico. The Airport has only one terminal that handles domestic and international air traffic. Code: OAX.

We will Provide

  • scrubber sponges

  • 80 grit sandpaper and sanding block

  • 2” chip brushes

  • gallon buckets

  • paint rags/stir sticks

  • White and black latex house paint

  • Acrylic urethane/varnish clean medium (gloss or semigloss)

  • Pint/quart plastic mixing containers w/lids

  • Gallon buckets

  • Heat gun

Student Supply List

  • Twelve 12”x12” wood panels

  • 18+ sheets black tissue. Resource: https://www.papermart.com

  • 12+ sheets 18”x22” newsprint.

  • Variety of personal collage papers and color tissue (color, pattern, graphics, craft paper and re-purposed).

  • Color paint. 3-6 colors of latex house or acrylic artist paints or liquid pigments

  • One 6”wide flexible broad knife and

  • One 1” putty knife.

  • Scissors

  • Utility knife

  • Spray bottle (atomizer)

  • wiping rags

  • artist brushes

  • painters tape

Judy Wise and Shem


Day 5, Tuesday October 7. Breakfast, studio, lunch, studio and then we will meet this evening for dinner of tlayudas.

Day 6, Wednesday, October 8. Same as day 5 except this evening, we will have a cooking class with Chef Ana Elena Martinez.

Day 7, Thursday October 9, TRAVEL DAY. Have your breakfast and then meet in the lobby for our ride to the weaving village of Teotitlan del Valle for our cooking class with Chef Reyna Mendoza. You will have some free time after we return to Oaxaca and dinner will be on your own.

Day 8, Friday, October 10. Breakfast and then meet in the studio at 9:00 a.m. to finish our work. After we clean up, we will have a Show ‘N Tell. You will be amazed at what you create! Then off to the market for lunch and then you will have the afternoon free before we gather for our final dinner together.

Day 9, Saturday, October 11. The trip is over.


Michael Shemchuk is an abstract artist living and working in Northern California. Largely self-taught, Shem did not emerge on the art scene in a conventional fashion.

Shem’s work has evolved over the last two decades, shaped directly by a close engagement with material and process. From the onset, Shem’s focus has been on abstraction and design. Influenced by his earlier faux finish work, Shem’s Meridian series, begun in the late nineties, used paint and plaster as primary media. In 2014, Shem became interested in the changes in art-making stemming from shifts in technology. His response was to re-evaluate traditional materials such as paper and paint, thus simplifying his approach to abstraction with the Tags series. In 2017, Shem was inspired to further his pursuit of abstraction and design by streamlining his materials and employing process as integral to his work. The result is his Surface Tension series, which is based on an organic process involving water, paper, pressure, friction, and time. In addition to his art-making, Shem teaches the principles of Abstraction by Design (AbD) to students and fellow artists via workshops and private mentoring.



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BLACK AND WHITE PARTY WITH DANIELLA WOOLF
Oct
11
to Oct 19

BLACK AND WHITE PARTY WITH DANIELLA WOOLF

  • Oaxaca City, Oaxaca Mexico (map)
  • Google Calendar ICS

BLACK AND WHITE PARTY WITH DANIELLA WOOLF

October 11-19, 2025 Oaxaca City, Oaxaca Mexico

Anyone who has started an encaustic practice knows who Daniella Woolf is. A longtime respected international artist, she now focuses on her love of textiles and pattern.

We are thrilled to share that Daniella will guide us through black and white studies in Oaxaca. This is an opportunity of a lifetime to study with such an experienced and gifted artist.

Three distinct paths have emerged in my art practice throughout my career: using text, thread and installation. Each path is about exploring pattern.
— Daniella Woolf

One of Daniella’s incredible installations.

Forest of Words

The Workshop

Imagine being in a supportive atmosphere where your creativity can take a giant leap forward! This is an opportunity to work with contrast, and limit your choices, which is a great creativity booster. In Daniella’s art practice, she often limits the tools or materials she uses, which somehow magically makes creativity blossom. It also helps to pack less supplies when traveling!

We will make art primarily out of paper in 2D or 3D.
Daily exercises are designed to spark your imagination and guide you through fun ways to work.

We will make imagery using black and white. Some of the possibilities include shredding our imagery, and constructing grids and much more.

We’ll share an evening where we dress the part, a Black and White dress up party. Let your inner fashionista go wild. Perhaps we will paint our fingers and toes black and white. Imagine the fun spectacle we can create.

Daniella will present a black and white slide show of items in her home/closet/studio/travels. Please bring something similar…it could be a photo montage, book, online post, or collage—pick the medium that suits your expression best. This will serve as a warm up for ideas and inspiration.

Think about these common phrases and how they can inspire you, even to create a series of work around these themes.

  • Black and White Thinking

  • Black and White and Read all over

  • 50 Shades of White

  • Research quotes on Black and White

Be ready to go on outings to discover what materials we can buy at the local art/hardware store. We will explore the town for black and white articles, and possibly build black and white altars for loved ones.

If you are interested in pursuing your own artistic agenda, Daniella is happy for you to carry on. If you would like guidance or feedback, she’s happy to oblige, or simply cheer you on!

One of Daniella’s Totems

This Art Escape includes:

  • 8 nights accommodations (double occupancy)

  • Visits to different artisan villages

  • Instructions/guidance from Daniella

  • Welcome reception and fiesta

  • All meals except for one lunch and one dinner

  • Visits to markets

  • 2 Cooking Classes

  • Free time to explore

  • Farewell dinner

  • Some supplies

  • Private Facebook page

  • New Art Tribe

The price for this workshop is $4,100 and limited to 12 people. A limited number of single rooms are available for an additional $600.

A $1,000 non refundable deposit is due upon registering. The final payment is due June 11, 2025.

Price does not include:

  • airfare to/from Oaxaca

  • alcoholic beverages

Travel insurance is required. See FAQs for recommendations.

Accommodations: Located in a colonial building just two blocks from the zocolo, Hotel Naura has free wifi, a restaurant, a pool, bar and rooftop terrace. It is located across from the Textile Museum. 

Airport: Xoxocotlan International Airport is an international airport located in Oaxaca City, in the state of Oaxaca, Mexico. The Airport has only one terminal that handles domestic and international air traffic. Code: OAX.

We will Provide

  • shredders

  • some paint

  • some papers

  • water / palates

Artists Supply List

  • paper

  • sketchbook

  • stencils

  • fabric

  • thread

  • paint

  • ink

  • brushes

  • pens and pencils

  • erasers to make stamps

  • scissors/apron

This is an opportunity to enhance your art practice and take your creativity to a new level. You can kiss your inner critic goodbye.
— Daniella Woolf

Schedule

Day 1, Saturday Oct. 11. Everyone arrives and we will meet this evening for a welcoming party

Day 2, Sunday October 12. Breakfast at the hotel, then meet in the studio at 9:30 a.m. Daniella will begin to guide us in our studies. We will break for a quick walk around the “hood” to orient you after our lunch in the hotel. Returning to the studio, we will continue to work. This evening we will have a special dinner at La Olla, at our amiga’s Pilar Cabrera’s rooftop restaurant.

Day 3, Monday October 13. After breakfast, we will head to the art store and the market to gather ideas for our studies. Lunch and dinner will be provided.

Day 4, Tuesday October 14. Breakfast at the hotel and then we are off to the weaving village of Teotitlan del Valle for a cooking class with Reina Mendoza. We will explore the local market with Reina before our class. You will have free time after we return to Oaxaca. Dinner is on your own this evening.

Day 5, Wednesday, October 15. Breakfast at the hotel and then in the studio all day, breaking for lunch. Dinner will be provided.

Day 6, Thursday, October 16. Breakfast and then in the studio at 9:30. We will go to the market for lunch today before returning to the studio. Dinner will be provided.

Day 7, Friday, October 17. Breakfast and then into the studio for a full day of creativity. Lunch at the hotel. This evening will be a cooking class with Chef Ana Elena Martinez.

Day 8, Saturday, October 18. Breakfast and then into the studio to finish our work before our Show “N Tell. Lunch will be on your own and you will have free time until our farewell dinner this evening.

Day 9, Sunday, October 19. The trip is over and you are free to leave anytime.


Daniella Woolf is an artist living in the seacoast town of Santa Cruz, CA. She focuses on paper, pattern and textiles. Her work is exhibited internationally and is in many collections and publications. She is the author of two books, Encaustic with a Textile Sensibility and The Encaustic Studio, and has produced many instructional DVDs.

She has inspired many students in the US, internationally and online. She is the recipient of the Rydell Award and Gail Rich Award.

For in depth information here is a link to an interview entitled Paper Paper and Paper at TextileArtist.org.

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